News
Generations of Exclusion: Mexican Americans, Assimilation, and Race, by Vilma Ortiz, UCLA professor of sociology and CSRC Faculty Advisory Committee chair, and Edward E. Telles, professor of sociology at UC Santa Barbara, was cited in an op-ed concerning restaurants that have refused to broadcast NFL games due to players’ refusal to kneel during the national anthem.
Hyperallergic announced a new exhibition at the new Boyle Heights Museum to open October 1.
On October 3, CSRC associate director Charlene Villaseñor Black will kick off a new Art Lecture Series at Santa Monica College.
The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in an article discussing Pacific Standard Time: LA/LA, the Getty-funded arts initiative.
In a review of PST: LA/LA, The New York Times mentioned CSRC director Chon A. Noriega and the extensive efforts of the CSRC, and he called Home—So Different, So Appealing "one of the stronger shows" in the initiative.
The Daily Bruin featured a piece on the exhibition La Raza, co-produced by the CSRC and the Autry Museum of the American West.
Press Telegram mentioned the CSRC for their partnership with the Autry Museum of the American West in producing the exhibition La Raza. September 13 marked the fiftieth anniversary of the founding of the publication La Raza.
As part of the Getty-funded arts initiative Pacific Standard Time: LA/LA, the UCLA Film and Television Archive is bringing Spanish-language cinema to various theaters throughout L.A. until December 10.
The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in The Economist as part of the Getty-funded arts initiative Pacific Standard Time: LA/LA.
Four art exhibitions were named in the Los Angeles Times for how they address DACA and its recent reversal by the Trump administration. Artist Camilo Ontiveros was mentioned in the article for his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in the CSRC-organized exhibit Home—So Different, So Appealing.