Aztlán: A Journal of Chicano Studies



Aztlán presents original research that is relevant to or informed by the Chicano experience. An interdisciplinary, double-blind peer-reviewed journal, Aztlán focuses on scholarly essays in the humanities, social sciences, and arts, supplemented by thematic pieces in the dossier section, an artist's communiqué, a review section, and a commentary by the editor, Charlene Villaseñor Black. Aztlán seeks ways to bring Chicano studies into critical dialogue with Latino, ethnic, American, and global studies.

Aztlán has been the leading journal in the field of Chicanx studies since 1970. Aztlán is issued twice a year.

"Aztlán … signals the vibrancy of Chicano Studies."
— The Chronicle of Higher Education

"The preeminent scholarly journal in Chicano Studies."
— Magazines for Libraries

"This esteemed journal of record is essential for virtually all academic libraries."
— Library Journal

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Volume 45, Number 2

Fall 2020

The essay section of Aztlán’s fall 2020 issue begins with an analysis of the public rhetoric of Donald Trump that documents the president’s racist statements about immigrants and Latinos. The following two essays consider how literary strategies challenge established frameworks and preconceived binaries in the work of novelists Ana Castillo and Tómas Rivera. The essay section concludes with a look at Mexican American masculinities in the reality TV show Los Cowboys. A research note on everyday objects found in one of the CSRC's special collections shows how such objects can illuminate the emotional lives of their owners.

The dossier section, curated by Rafael Pérez-Torres, focuses on the temporality of Latinx and Chicanx studies. Pérez-Torres notes that the dossier’s authors “envision the field in response to the spread of repressive practices and policies across many sectors of local and national governance” through writings that are characterized by “their sparkling intensity, their painful honesty, and—at moments—their sparking fury.”

Antonio Bernal, whose mural in Del Rey, California, is considered one of the earliest of the Chicano art movement, is featured in the artist’s communiqué and on the cover.

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Hector Amaya, University of Virginia
Jason de León, University of Michigan
Sara Jane Deutsch, Duke University
Alicia Gaspar de Alba, University of California, Los Angeles
John Moran Gonzalez, University of Texas, Austin
Elena Gutiérrez, University of Illinois at Chicago
Joshua Guzmán, University of California, Los Angeles
Brian Herrera, Princeton University
Daniel Martinez HoSang, Yale University
Aida Hurtado, University of California, Santa Barbara
Ji Young Kim, University of California, Los Angeles
Cecilia Márquez, New York University
Louis Mendoza, Arizona State University
Cecilia Menjívar, Arizona State University
Tey Marianna Nunn, National Hispanic Cultural Center
Richard T. Rodríguez, University of California, Riverside
Silvia Spitta, Dartmouth
Adriana Zavala, Tufts University