The CSRC is digitizing over 25,000 photographs for preservation, exhibition, and research. Selected images from the collection are on display at the Autry Museum of the American West through February 10, 2019.
The Wall Street Journal surveyed Pacific Standard Time: LA/LA and mentioned the CSRC-organized exhibition Home—So Different, So Appealing as “essential on anybody’s PST list.”
Home artist Camilo Ontiveros was profiled in the LA Times in which he discussed his sculpture Temporary Storage. The artwork draws attention to those affected by the repeal of DACA.
In a preview of Pacific Standard Time: LA/LA, CSRC director Chon Noriega is mentioned for his contributing role in developing the initiative.
In anticipation of Pacific Standard Time: LA/LA’s “free museum day” on Sunday, September 17, The Sun highlighted two exhibits that the CSRC partnered with: LA RAZA and Laura Aguilar: Show and Tell.
CSRC director Chon Noriega was quoted in a piece on the Getty-funded arts initiative Pacific Standard Time: LA/LA and the CSRC-organized exhibit Home—So Different, So Appealing, currently on display at LACMA.
In this special edition of the CSRC Newsletter, we celebrate the Getty-led Pacific Standard Time: LA/LA initiative! The CSRC is one of the lead partners of PST: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Plus, CSRC online exhibits for Hispanic Heritage Month, new publications from CSRC Press, and more!
A commentary by CSRC director Chon Noriega on President Trump’s decision to end DACA.
(Image: Periódico ENFOQUE)
CSRC director Chon Noriega was quoted in a piece discussing the popular terms ‘Latinx’ and ‘Chicanx.’ The exhibition Home—So Different, So Appealing, which Noriega co-curated, was also mentioned.
Jezebel announced Google Arts & Culture’s launch of a new online archive dedicated to Latino art and cultural history.