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Aztlán 30, no. 1 spring 2005
Editor’s Introduction (click on link to read) Thirty-fifth Anniversary Appreciations (click on link to read) Editor’s Commentary (click on link to read) Chon A. Noriega
• EssaysThe Colonial North: Histories of Women and Violence from Before the U.S. Invasion Linda Heidenreich Dolores Del Rio, the First “Latin Invasion,” and Hollywood's Transition to Sound Mary Beltrán Reassessing Pocho Poetics: Américo Paredes's Poetry and the (Trans)National Question B. V. Olguín “La Memoria de Nuestra Tierra”: Landscapes, Mexicans, and the Browning of America John-Michael Rivera
• Dossier: InstitutionsEducation in Gringoland: UCLA 1944–48 Nash Candelaria El Barrio's “We Are Watching You” Campaign: On the Politics of Inclusion in a Latinized Museum Arlene Davila The Case of The Capeman: Appropriation of the “Authentic” Jason Ramírez
• Artists’ CommuniquésLa Memoria de Nuestra Tierra: Colorado Judith F. Baca
• ReviewsMartha Menchaca's Recovering History, Constructing Race: The Indian, Black, and White Roots of Mexican Americans César López Raúl Homero Villa's Barrio Logos: Space and Place in Urban Chicano Literature and Culture Luís Carlos Rodríguez Ernesto Chávez's Mi Raza Primero! Nationalism, Identity, and Insurgency in the Chicano Movement in Los Angeles, 1966–1978 Laura Pulido Jesús Salvador Treviño's Eyewitness: A Filmmaker's Memoir of the Chicano Movement María E. Muñoz Chacón Otto Santa Ana's Brown Tide Rising: Metaphors of Latinos in Contemporary American Public Discourse Kent A. Ono Latina Feminist Group's Telling to Live: Latina Feminist Testimonios Amanda Davis Música de la Frontera: Research Note on the UCLA Frontera Digital Archive Robert Romero Chao Contributors |
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