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Aztlán 29, no. 1 spring 2004 Editor’s introduction (available) Editor’s Commentary Warhol’s Western: Queering
the Frontier Myth
• Essays Negotiating César: César Chávez in the Chicano
Movement Subaltern Soundtracks: Mexican Immigrants and the Making of Hollywood
Cinema Wearing the Red, White, and Blue Trunks of Aztlán: Rodolfo “Corky”
Gonzales and the Convergence of American and Chicano Nationalism • Dossier: Transborder Issues The Transborder Exopolis and Transculturation of Chican@ Studies Fronteras y representaciones sociales: La figura del pocho como estereotipo
del Chicano Migración y fronteras: Ser indígena más allá
de la nación “En pocas palabras”: Representaciones discursivas de la
frontera México–Estados Unidos El aborto entre las fronterizas Transnationalism and Rights in the Age of Empire: Spoken Word, Music,
and Digital Culture in the Borderlands • Artists’ Communiqués Taco De Sesos Tech-Illa Sunrise (.txt con Sangrita) • Reviews Cultural Studies in Today’s Chicano/Latino Scholarship: Wishful
Thinking, Flatus Voci, or Scientific Endeavor? Struck by Lightning? Interracial Intimacy and Racial Justice Building Faith? Moneo’s Design for the Cathedral of Our Lady of
the Angels Struggles to Bring the Gospel to Downtown Los Angeles File under: Post-Mexico Colegio Cesar Chavez, 1973-1983. By Carlos Saldivar Maldonado. • Tribute Homage to Jesse A. Almazán, Chicano Painter and Graphic Artist:
June 2, 1937–March 31, 2002 • Contributors |
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