News

Subscribe to CSRC News
June 19, 2017

Art critic Peter Schjeldahl calls the CSRC-organized exhibition a "tour de force." (Image: Ramiro Gomez, "Maria Waiting for Her Check," 2013. Courtesy Charlie James Gallery)

June 19, 2017

Artist Star Montana was profiled in LAist for her new exhibition I Dream of Los Angeles, now on display at the Beta Main. Montana is a former Getty intern at the CSRC. 

June 19, 2017

La Bloga featured a story on the CSRC-organized exhibit Home—So Different, So Appealing. The story includes photos of the exhibition, artists, and curators. 

June 19, 2017

Peter Schjeldahl’s review of the exhibition Home—So Different, So Appealing in The New Yorker was mentioned in Apollo’s listing of daily art news. 

June 19, 2017

Peter Schjeldahl’s review of the exhibition Home—So Different, So Appealing in The New Yorker was mentioned in an Artnews piece.

June 15, 2017

The CSRC congratulates Kelly Lytle Hernandez, professor of history and African American studies, on her appointment to interim director of the Ralph J. Bunche Center for African American Studies, effective July 1, 2017. Hernandez is a former associate director of the CSRC.

June 15, 2017

In the Los Angeles Times CSRC director Chon Noriega was among the three curators quoted in a feature on the exhibition Home—So Different, So Appealing

June 15, 2017

A review of the CSRC-organized exhibit Home—So Different, So Appealing in the LA Daily News highlights some of the sculptures in the show that are reiterations of previous works by artists Camilo Ontiveros, Daniel Joseph Martinez, and Maria Elena Gonzalez. 

June 13, 2017

Los Angeles Times columnist Carolina Miranda discusses the CSRC-organized exhibition Home--So Different, So Appealing on the radio show "Press Play with Madeleine Brand" on KCRW 89.9FM.

June 13, 2017

On her radio show "Design and Architecture" on KCRW 89.9 FM, host Frances Anderton discusses the CSRC-organized exhibition Home--So Different, So Appealing at LACMA, including interviews with artist Daniel Joseph Martinez and co-curator Pilar Tompkins Rivas.

Pages